A big thanks to Mark Olivan for linking it to me!
Showing posts with label Film. Show all posts
Showing posts with label Film. Show all posts
Wednesday, December 14, 2011
The Philippines = B Movie Backlot
Posted by
Musa
9:30 AM
1 comments
I knew that our country was the birthplace of the first-ever midget action star, Weng Weng. I knew that our country was chosen by Francis Ford Coppola for his film, "Apocalypse Now" because it looked a lot like Vietnam. But this aspect of Philippine filmmaking, I did not know about:
How shall I describe this piece of knoweledge? Funny? Disturbing? I believe this will go down in the annals of history as part of the most humiliating (yet hilarious) things we did for Americans. I would very much like a copy. For now, I'll leave you with the official poster and documentary synopsis.
Machete Maidens Unleashed! is the first detailed examination and celebration of Filipino genre filmmaking - a world where stunt men came cheap, plot was obsolete and the make-up guy was packin' heat!
From the early '70s well into the '90s the Philippines was a back-lot for a bevy of renegade B-movie makers and cinema visionaries alike. The country was utilized for its inexpensive labour, exotic locations and distinct lack of rules. A tidal schlock-wave of genre work emerged that somehow managed to capture the raw, chaotic energy of contemporary Filipino culture. These productions (a cavalcade of monster movies, jungle prison movies, blaxploitation and kung fu hybrids) were miraculously made at a time when the country's political situation was repressive at best. But, this was a revolution that even the Marcos dictatorship couldn't crush!
A big thanks to Mark Olivan for linking it to me!
A big thanks to Mark Olivan for linking it to me!
Thursday, July 14, 2011
Cinemalaya Starts Tomorrow!
Posted by
Musa
10:25 PM
I always hope to find some gems in the annual Cinemalaya independent film festival. It's awesome to see the support behind this project. Kudos to the festival being more organized and adding venues like Greenbelt 3. However if there's one area, they have to improve on, it's on their trailers.
I had a chance to watch all of the trailers today and I found myself disappointed. Most of them were made with too much attachment to the material that it didn't answer the question, "why would someone want to watch this?" A lot of the times, people who are not involved with the movie are asked to edit the trailer because they are able to see it from an objective distance. Without objectivity, there is a big chance to totally miss the point. Being an an advertiser, I see Cinemalaya trailers as commercials with the daunting task of enticing people to to travel all the way to the CCP, to shell out P150 (to P5000 for a festival pass) to sit through a potentially crappy (potentially brilliant) film. They have to make that choice just a little bit easier for people.
Here are some of the trailers I found intriguing - on my list of things to catch.
Teoriya
A story about a young man in search of his father's remains. It looks well made and it
doesn't seem to have that overly dramatic plot that usually turns out bad.
doesn't seem to have that overly dramatic plot that usually turns out bad.
Isda: The Fable of the Fish
We hear about weird freakish things happening all the time. Why not make a movie out of it?
I want to see how this fable ends.
Busong
It's a look into the Palawan belief of instant karma. I'm just a sucker for films
that make a subject of culturally remote Filipino ethnic groups.
Plus, it's Alessandra de Rossi- she's awesome!
that make a subject of culturally remote Filipino ethnic groups.
Plus, it's Alessandra de Rossi- she's awesome!
Ang Sayaw ng Dalawang Kaliwang Paa (The Dance of Two Left Feet)
It's beautifully shot and the scoring has promise.
Ang Babae sa Septic Tank
Chris Martinez, Marlon Rivera, and Eugene Domingo! Talk about star power.
It's rare to find comedies in a festival like this and this one is a parody of the making of
indie films in the Philippines. How apt. Definitely, a must see for me.
To view more trailers, go to the Cinemalaya website.
For the complete schedules in CCP and in Greenbelt, click here.
Monday, July 11, 2011
Joey Gosiengfiao's Temptation Island Revisited
Posted by
Musa
12:59 AM
This weekend, I watched Joey Gosiengfiao’s “Temptation Island”. A Chris Martinez remake of the 1980s cult classic. Imagine this...
I should love this movie because it’s an unwittingly campy social commentary on the concerns of the Filipino middle and upper class. As Jessica Zafra said, “it cleverly exploits aspects of Pinoy culture: the class divide, colegialas and social climbers, the obsession with beauty pageants, and of course, bakla culture.” I should love it because it’s a dark comedy, a rarity in the land that can’t get over Tito, Vic, and Joey.
But I loved it simply because it was so bizarre and funny- the perfect movie to watch with a bitchy, gay bestie, which I did. The lines were strange, biting, and quotable. So much so that we were repeating them word for word as the movie progressed. (Yes, we had our favorites memorized from the original!)
I have to hand it to Joey Gosiengfiao, the accidental whiz, who never meant to make us laugh. But as they say, forget his original intent because the author is dead. Sadly, that's both figuratively and literally. Good thing his inadvertent masterpiece lives on. My only critique is that Chris Martinez could have injected more of his humor into it. He tried too hard to stay true to the material, but some of the best moments of the film were add-ons on by him.
Spoiler Alert!
My favorite part was when the girls were so starved they started eating sand. It was so absurd on so many levels. One, these are GMA’s most glamorous leading ladies being made to eat sand. Two, they look like they’re enjoying it. Three, this is a really long vignette and it's making me uncomfortable. At a later time, I thought to myself, “Is this the upper class version of Khavn Dela Cruz’s film about a family that’s so poor they eat soil?”
As for the cast, here are my notes accompanied by their photos on Preview Magazine.
Heart Evangelista: She has the most angelic face, but I have a hard time believing her sincerity whenever she speaks English. I don’t think she’s a bad actress though, she delivers the emotion when she’s speaking in Filipino.
Marian Rivera: She looks like she had so much fun playing the role of the strong-willed, dancing, vivacious, villain with a heart- which is essentially (if we are to believe tabloids) who she is in real life. She makes all that dancing and jiggling so very natural.
Solenn Heussaff: All throughout, my gay friends kept commenting on how she was the most beautiful. She is indeed a stunner, but again I have problems with how she talks. She’s a reverse Heart. Perhaps, they could have changed the character- made her one of those posh girls who studied abroad for 3 months and completely forget how to speak Filipino.
Lovi Poe: Lovi Poe stole the show. From her very first line, she got the original character down pat. She’s got a husky way of speaking that’s oozing with sensuality. You really want to hate her, but at the same time you want to be the one spewing those odd, venomous lines.
Rufa Mae Quinto: A true comedy queen. At first I questioned why she was getting the part of the maid, but as I watched I realized that secretly she's the star. You can’t help but laugh when she's on. The fact that she's a bombshell that can pull off the loveable idiot adds to the weirdness of the whole movie.
John Lapus: He was domineering and endearing in a very gay way. I wish they had given him more screen time. I remember the original character having a lot more to say.
Male Leads: Two were decent but generally they were all forgettable. Why couldn’t they have put Coco Martin, Jake Cuenca, and Gerard Anderson on these roles? It would have made all the difference.
I hope you all troop down to the cinemas to catch it. Read the article by Erwin Romulo on Preview too!
Monday, July 26, 2010
My Cinemalaya 2010 Experience
Posted by
Musa
5:45 PM
Cinemalaya is a yearly film festival that serves to encourage amateur Filipino filmmakers to make movies. It is a great initiative but there is a lack of information on the movies themselves. Even when they hit mainstream theatres, people know nothing about them. Clickthecity’s resident film critic Philbert Ortiz says it best on his Live Journal, “Cinemalaya appears to be more interested in promoting the festival itself rather than the output. It feels like money could be better spent setting up early screenings for the press and bloggers, who can generate buzz for the festival before it even starts, or producing a reel of trailers to be shown in one of the Metro’s many cinemas. Because at this point everybody knows what Cinemalaya is. But ask the average person to name ten films produced by Cinemalaya, and they struggle to find the titles.”
So, I’ll do my part and write about what I managed to watch during my one day marathon.
(A dizzying feat to be attempted for the strong and steadfast movie buff.)
Vox Populi by Dennis Marasigan
A day in the life of a candiate running for mayor. The day before the big election is an exciting premise but the film meanders all throughout with no solid dilemma to confront. It might have been better as a documentary with real characters and situations. It is however, a much-needed glimpse (albeit a somewhat limited one) of the compromises one makes to be elected.
The Leaving by Ian Dean S. Lorenos
A three-part love/ horror story about the strange circumstances that bring a couple together. My friends thought it was the worst film ever. But those who enjoyed, “In the Mood for Love”, “Mano Po”, “Shake Rattle and Roll”, and “the Ring” will love this because it’s all those films mixed together in one shocking rollercoaster ride. This movie was a genre mixing experiment that had the crowd screaming, laughing, and cringing.
Pink Halo-Halo by Joselito Altarejos
A movie about a little boy growing up in the barrio while his father, a soldier, goes to battle the insurrection in Mindanao. An intelligent film that will make urbanites want to experience life in the provinces. It is at once gentle and enduring, bright yet melancholic, quiet and reflective. I applaud the filmmaker who was mature enough to use a simple plot to explore some very deep themes.
Ang Paglilitis ni Andres Bonifacio by Mario O’hara
A look at the trial that led to the death of Bonifacio, the father of the Philippine revolution. Half my friends fell asleep on this sepia-toned history lesson. But for those who love history and Filipino prose, it is real a tearjerker. The scenes that were most effective were not the ones with Bonifacio but the scene with his wife and the white-faced narrator. It is an important film which poses some very interesting questions.
Congratulations to the winners of Cinemalaya. I wish I had caught even one of the winning films.
Photos of the movies with their makers taken from the posters at the Cinemalaya venue.

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This blog is like the Filipino dessert that mixes together unrelated ingredients such as ice, beans, gelatin, purple yam, and cream into something fun. Here’s a yummy serving of my own halo-halo musings on art, advertising, history, fashion, photography and inspiration.
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